Aspects
of Verdi
(NY: Limelight Editions, 2nd ed. Paper, 1993)
ISBN 0-87910-172-5
"Heartily recommended. Martin a distinguished Verdi scholar,
has here adapted 12 essays... covering Verdi's political, religious,
literary, culinary and musical interests... interesting and
rewarding." Liberty Journal
"An entertaining, illuminating, and provocative book...
Just when one feels that no one can possibly find something
else useful or new to say about Verdi, along comes a book one
would not care to be without. Martin's is in that category."
Michael Kennedy, The Daily Telegraph (London).
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Verdi, His Music, Life and Times
(NY:
Limelight Editions, 5th ed. Paper, 2001)
ISBN 0-87910-160-1
"In Martin's pages, history and the biographer's subject are
in perfect balance: we see Verdi large and small, composer, farmer,
parliamentarian, patriot, head-of-family, brilliantly portrayed."
Mary Jane Phillips-Matz, biographer of Verdi.
"Martin's [biography] has a special value indicated by its
subtitle.. The book makes clear Verdi's greatness as a figure in
the Italian movement for independence and unification, the Risorgimento."
Andrew Porter, The Verdi Companion.
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Verdi at the Golden Gate:
Opera and San Francisco in the Golden Rush Years
(Berkeley:
University of California Press, 1993)
ISBN 0-520-08123-4
"An important contribution to the cultural history of California
and of San Francisco, unusual because of the author's rich understanding
of Verdi's place in Western culture. Martin discusses the audience's
role in the presentation an reception of operas, the effort
to 'civilize' the audience..." Burton W. Peretti, author
of The Creation of Jazz: Music, Race, and Culture in Urban
America.
"This is a narrative unlike any other, combining the most
colorful, passionate, and theatrical of all art forms with the
history of the most colorful, passionate, and theatrical of
all American cities." from the Foreword by Lotfi Mansouri,
former General Director, San Francisco Opera.
"The book gripped me from the start and held me: an exploration
into the eventful decades of American musical history that had been
for too long uncharted." Andrew Porter, former music critic
for The New Yorker, presently for The Observer
(London).
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For
Articles on Verdi click here.
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